
The notes stay with three essays in that book, and they stop before a later recap.
The notes take up the book Analyzing Korean Men and stay with three of its essays. Through much of human history, they write, “man” has been the general and universal being, and woman has been treated as something special rather than universal. Words such as woman employee, woman soldier, and woman teacher mark a special place, while men have been called youth, citizen, worker, or voter, as if those names were enough. If research on women has had to bring out voices that were buried because they were not the universal case, research on men, they say, has to take another method. This book, they write, points a way for the study of men, and of Korean men in particular.
They name six authors — Jung Hee-jin, Kwon Kim Hyun-young, Ruin, Jun-woo, Han Chae-yoon, and Eom Ki-ho — who move between culture and history, and who draw on anthropology, philosophy, and literature, to look at Korean masculinity from its origins to a masculinity they see splitting in a changing present. The point, they say, is to reset masculinity by focusing not on a universal being but on difference.
Jung Hee-jin’s essay, Korean Men’s Coloniality and Feminist Theory, is about a dependent, peripheral masculinity, a colonial masculinity, in which men who feel they are not manly enough try all the harder to suppress women. The author first sets out, clearly, the feminist theories that have analyzed masculinity from liberalism to structuralism. She then argues that such Western theory cannot explain Korean masculinity properly, and turns to the spirit of successive periods in Korea’s modern and contemporary history, and to cultural power, to describe that colonial masculinity. The notes take her to mean a Korean male culture with a dominant character, named in that way.
Kwon Kim Hyun-young follows with an essay they title Korean Masculinity in the Modern Transition, on the historical origins of that colonial masculinity. The notes follow a look at the binary talk about women and men that appeared in Joseon through the modern transition and the Japanese occupation, and at the place of colonial men who, in a modern sense, could not become a universal being. Ruin’s The Modern Invention of the Male Body, they write, uses Korean contemporary history and world history to trace how a bodily norm of the “manly body,” focused on the penis, came into being. The notes leave the subject there, before a later recap. The same Korean report, in a longer form, is on CampusDown.
Last updated 15 November 2026
They start from a simple contrast: in much of history, “man” has been the general, universal case, while woman has been treated as the special one — as in phrases such as woman employee or woman teacher. Research on women, they write, has had to bring hidden voices back into view; research on men has to take a different path. Analyzing Korean Men, they say, offers a direction for that work.
Six: Jung Hee-jin, Kwon Kim Hyun-young, Ruin, Jun-woo, Han Chae-yoon, and Eom Ki-ho. The notes stay with three of the essays, moving among culture and history, and drawing on anthropology, philosophy, and literature, from the origins of Korean masculinity to a masculinity they see splitting in a changing present.
Jung Hee-jin writes on Korean men’s coloniality and feminist theory, and on a dependent masculinity in which men who feel they fall short of being “manly” press harder on women. Western theory, she argues, cannot explain Korean masculinity on its own. Kwon Kim Hyun-young turns to the historical roots of that colonial masculinity in the modern transition and under Japanese rule. Ruin traces how a bodily norm of the “manly body,” focused on the penis, was produced in modern times.
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