
The first child’s story, they write, is his own: a childhood that was not wealthy, a dream shaped by it, and a clear choice between two kinds of people.
The notes take up Yoon Cheol-su’s The Children Santa Met. They open at Christmas. The writer chooses to be Santa not only for his own child, but for schoolchildren who have been wounded or left out.
The costume, in their reading, is not a seasonal joke. It is a way of going toward children who may not otherwise be met with that kind of care.
The book, they write, falls into six parts. Each part holds children he met as a school social worker. The work is close to the school day: not a distant case file, but children encountered in that setting.
The first child’s story, they add, is his own. He writes from a childhood that was not wealthy, and from the way that childhood shaped a dream of the kind of adult he would be.
They keep a split between two kinds of people. One says, “I suffered, so you should too.” The other says, “I suffered, so I hope you don’t.”
He is firmly the latter, they write. The notes stay with that choice, and with the children gathered in the six parts. The same Korean piece, stretched out further, is on CampusDown.
Last updated 15 November 2026
With Christmas, and with a writer who chooses to be Santa not only for his own child, but for schoolchildren who have been wounded or excluded.
In six parts, each with children he met as a school social worker. The first child’s story, they write, is his own.
People who say, “I suffered, so you should too,” and people who say, “I suffered, so I hope you don’t.” He is firmly the latter, they write, and a not-wealthy childhood is what shaped that dream.
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