
The notes stay with those two works and that comparison, and they stop before a later recap.
The notes set two works side by side: Yi Tae-jun’s Meeting Mother, published in the 1930s in the children’s magazine Eorini, and Hwang Sun-won’s The Calf, published in the 1960s in the adult journal Sasanggye.
A child, they write, is a being still growing; children’s literature should develop so that children can take things in for themselves, rather than be fitted only to the views of the generation already in place. The notes propose to compare the two works in their period and their themes.
Children’s literature, they write, is literary work written with the consciousness that a child will read it. Even so, they say, the genre itself is still little granted a field of its own, and remains in a blind spot of research. Works placed in elementary textbooks, they add, are sometimes revised from a particular point of view.
The notes leave the two stories there, before a later recap. The same Korean report, at fuller length, is on CampusDown.
Last updated: 15 November 2026
Yi Tae-jun’s Meeting Mother, published in the 1930s in the children’s magazine Eorini, and Hwang Sun-won’s The Calf, published in the 1960s in the adult journal Sasanggye.
To compare their periods and their themes, and to ask what children’s literature is. Children’s literature, they write, is work written with a child reader in mind; yet the genre itself, they say, is still little recognised as a field of its own, and sits in a blind spot of research.
After that comparison is set up, and after a note that pieces in elementary textbooks are sometimes revised from a particular point of view. They leave a later recap unused.
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