
The notes stay with that poem, and they stop before a later definition recap.
A large feature of this poem, the notes begin, is that the speaker who asks the questions is a child in the illustration, and that the poem takes the form of a conversation with a young lamb who appears beside that child.
The questions, they think, are there so that one may remember who the creator is, and what presence sits behind the grace that lets one live. They are also there, they write, so that the lamb may be reminded to keep gratitude toward its maker. In fact, they read in this William Blake’s own wish to give thanks for the love shown to natural things.
Lines 1 and 2, they write, are built of words that roll easily on the tongue; if one follows them as they sound, a rhythm forms, as if one could sing. From line 11 to line 20, the answers spoken to the young lamb appear, and through those answers the creator is called by the lamb’s own name.
The poem, they write, has the rhyme abab, and is made of three stanzas of four lines each. The god Blake imagines, they add, is not a remote being, but one who loves and protects what has been made, and who is identified with those creatures.
The notes leave the poem there, before a later definition recap. The same Korean report, written out more fully, sits on CampusDown.
Last updated: 15 November 2026
William Blake’s The Lamb. The speaker, they write, is a child who appears in the poem’s illustration, and the poem takes the form of questions and answers to a young lamb.
The aim of the questions, they think, is to remember who the creator is, and why such loving grace is possible. Lines 1 and 2 are made of words easy on the tongue, so that a rhythm forms if one follows the sound, as if one could sing. Lines 11 to 20 give the answers spoken to the lamb.
In the form abab, three stanzas of four lines each. They leave a later definition recap unused.
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