
The notes stay with a musical that arrived in Korean theatres in December 2016, and with two older films they hold up beside it.
The notes stay with La La Land as it reached Korean theatres on 7 December 2016. In the window they are writing in, they record about 3,504,210 admissions.
That figure is kept as a total from that period, not carried forward as a later official count. What matters to them is how widely the film was seen at the time they were watching and writing.
Sebastian is played by Ryan Gosling, Mia by Emma Stone. The notes linger on two scenes in particular: a waltz at Griffith Observatory, and the dance that opens the film on a crowded freeway.
Those pictures, they suggest, tell you early what kind of musical this is — one that puts song and movement into places that already have their own life, a hilltop observatory and a jammed stretch of road.
They set the film beside The Sound of Music (1965) and Fame (1980). The comparison is brief and close to hand, not a survey of the whole genre.
The notes stop with those two titles and with the Korean run they have in front of them. They do not add a director’s name the source never gives.
The same Korean report, at fuller length, is on CampusDown.
Last updated: 15 November 2026
It opened in Korea on 7 December 2016. In the window they are writing in, they record about 3,504,210 admissions. The figure is kept as a total from that period, not as a later official count.
Sebastian is played by Ryan Gosling, Mia by Emma Stone. The notes linger on a waltz at Griffith Observatory, and on the dance that opens the film on a crowded freeway. Those two pictures, they suggest, are where the musical first announces what kind of film it is.
They set it beside The Sound of Music (1965) and Fame (1980). The notes do not build a long history of the genre; they simply hold those two titles next to this one, as points of comparison the writer already has in mind.
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