
The notes hear bitterness in that “shameful record”: if a 1970s account of oppression still speaks, society has improved little.
The notes take up Jo Se-hee’s The Dwarf. He was born in 1940 in Gapyeong, Gyeonggi. He studied creative writing at Seorabeol Arts College and Korean literature at Kyung Hee University, and debuted in the 1965 spring literary contest with “A Mastless Merchant Ship.”
Those dates stay close to the writer they are reading, before the book’s later printings come into view.
In 2005, at the book’s 200th printing, he called it a “shameful record.” The notes hear bitterness in that phrasing. If a 1970s record of oppression still speaks to readers, they write, society has improved little.
By April 2017 the book had reached a 300th printing. The number, for them, is not only a mark of success. It also keeps that bitter remark in earshot.
They read the book as linked stories of a family with a dwarf father. The father’s figure is a longed-for, almost fantastic father. The mother’s is closer to the author as he consciously knew her.
They wanted to keep that household, and that remark about a shameful record, together. The same Korean notes, in a longer form, are on CampusDown.
Last updated 15 November 2026
Jo Se-hee was born in 1940 in Gapyeong, Gyeonggi. He studied creative writing at Seorabeol Arts College and Korean literature at Kyung Hee University, and debuted in the 1965 spring literary contest with “A Mastless Merchant Ship.”
In 2005, at that printing, he called the book a “shameful record.” The notes hear bitterness in the phrase: a record of 1970s oppression still resonates, which suggests that society has improved little. By April 2017 the book had reached a 300th printing.
Linked stories of a family with a dwarf father. The father’s figure is a longed-for, almost fantastic father; the mother’s is closer to the author as he consciously knew her.
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