
People live with their feet on the ground, the essay says, yet they also try to imagine and build a better society, in a world tied to the present or in one that steps beyond it. Earlier studies of the ideal society in literature, it argues, have often stayed at a wide outline, asking which thought appears in a work rather than reading one story closely. Heosaengjeon is taken as that closer reading, and is joined to its author, Yeonam Park Ji-won.
A note in the Yeolha ilgi (the Jehol Diary) is cited for the circumstances of the writing. The tale had circulated in many oral variants before it was made into a single work; Park, the essay says, hesitated, showed that something remained unsolved, and took up the writing only under pressure from those around him. The household already holds two ideals in conflict. The husband sets a term of ten years to give himself to learning, a dream that does not reckon with married life and is unlikely to let him act as head of a house.
The wife, who supports them by sewing, presses him to help with the household’s want. Stirred by her protest, he leaves, borrows ten thousand nyang from Byeon, the richest man in Seoul, corners the fruit market in Anseong, and monopolizes horsehair in Jeju. An old sailor points him to a fertile island; he finds the bandits of Byeonsan, gives them money (none carries off more than a hundred nyang), has each bring a woman and a cow, prepares a year’s food, and leads them to the island.
They store three years’ grain and sell the rest in famine-struck Janggi-do. He leaves the bandits there, takes those who can read, relieves the poor at home, and goes to repay Byeon. When Byeon would take only the interest and return the rest, Heosaeng is angry; later the two drink together, and Byeon asks why a man of talent hides when the country wants to wash away the humiliation of the Byeongja Horan. Heosaeng answers that hidden talent is not scarce, that his own skill is of no use, and that he has thrown the money into the sea.
Yi Wan, commander of the Royal Guard, is led to him and is offered the so-called three policies for the times; the measures are too radical to be accepted. Heosaeng scolds him and threatens to cut off his head; Yi Wan flees, and the next day Heosaeng is gone. The narrative, the essay says, falls into two parts, and an ideal society appears in both. The first is built in the limited space of the island and is actually realized.
The second is meant for the concrete reality of Joseon and is not realized, because the conditions for founding it are not accepted. Yi Wan will search for talent, but cannot stand at the head of a fuller construction; his office and his awareness have their limits. The work, in this reading, gives great weight to building an ideal society, takes Confucian thought as an intellectual ground, and treats that society not as one fixed form but as something that moves through two or more stages — a search, a check, a search again, and a letting go.
People live with their feet on the ground, the essay says, yet they also try to imagine and build a better society. Earlier studies, it argues, have often stayed at a wide outline. Heosaengjeon is taken as a closer reading, joined to its author, Yeonam Park Ji-won. A note in the Yeolha ilgi is cited for the circumstances of the writing; Park hesitated, and took up the work only under pressure from those around him.
The husband sets a term of ten years for learning; the wife, who supports them by sewing, presses him to help with the household’s want. Stirred by her protest, he borrows ten thousand nyang from Byeon, corners fruit in Anseong and horsehair in Jeju, and, with the bandits of Byeonsan, leads a party to a fertile island, a year’s food prepared, each man bringing a woman and a cow.
They store three years’ grain and sell the rest in famine-struck Janggi-do. He relieves the poor at home and goes to repay Byeon. Asked why he hides when the country wants to wash away the humiliation of the Byeongja Horan, he says that hidden talent is not scarce, that his skill is of no use, and that he has thrown the money into the sea. Yi Wan is offered the so-called three policies for the times; they are too radical to be accepted. The next day Heosaeng is gone.
The first part of the story builds a primary ideal on the island, and it is actually realized. The second would build a secondary ideal in Joseon, and it is not. The work, in this reading, takes Confucian thought as a ground, and treats the ideal society not as one fixed form but as something that moves through stages — a search, a check, a search again, and a letting go. The same Korean report, at fuller length, is on CampusDown.
Last updated: 14 November 2026
Into two parts. The first builds a primary ideal society on an island, and it is actually realized. The second would build a secondary ideal in the concrete reality of Joseon, and it is not accepted.
Stirred by his wife’s protest, he borrows ten thousand nyang from Byeon, corners fruit in Anseong and horsehair in Jeju, then leads the bandits of Byeonsan to a fertile island.
Heosaeng offers Yi Wan three policies for the times, too radical to be accepted. Yi Wan will search for talent, but cannot stand at the head of a fuller construction.
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