
The notes stay with that triangle, and with the claim that love in later life is still love, not a subject to be set aside.
The notes take up the film We Also Love — Andreas Dresen’s Cloud 9 (Wolke 9). Werner and Inge, they write, have been married thirty years. Then Inge meets their neighbor Karl, and is torn.
The story they follow is that triangle: a long marriage, a new closeness, and the difficulty of standing between the two.
The film, in their reading, treats later-life love as love that is not barred by age. It includes bed scenes as part of that love, not as something to look away from.
They mark this as the film’s frankness. Desire is not reserved for a younger plot.
The notes stay with Werner, Inge, and Karl, and with what the film is willing to show of later life. They do not turn from the household into another kind of assignment.
They wanted to keep that frankness in view. The same Korean notes, written out more fully, are on CampusDown.
Last updated 15 November 2026
A married pair of thirty years. Inge then meets their neighbor Karl, and is torn.
Later-life love among three people. The film does not treat age as a bar, and it includes bed scenes as part of that love, not as something to look away from.
With the film itself, and with that household. They do not turn the page into a career plan or a wider program of study.
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