
The notes stay with a streaming quarrel and a few independent titles, and they stop when a later film is only named.
The notes stay with Okja, a film of Bong Joon-ho’s, caught in a quarrel over a simultaneous Netflix release, and left with fewer viewers than it might have had.
As an example of a screen monopoly they name Haeundae, the distributor CJ, and prime slots at CGV.
They name Old Partner, Don’t Cross That River, and Secret. Some films, they write, you can already tell from the poster; others you may not know even after watching.
Hong Sang-soo’s HaHaHa can feel independent, they say, yet is not classed as an independent film.
They name The World of Us as a recent, well-received independent film, and say they will look at it. The later shop telling of Seon, Jia, and Yoon is left unread on this page.
The notes stop at that announcement. The same Korean report, at fuller length, is on CampusDown.
Last updated: 15 November 2026
Okja, a film of Bong Joon-ho’s, was caught in a quarrel over a simultaneous Netflix release, and drew fewer viewers than it might have. As an example of a screen monopoly they name Haeundae, the distributor CJ, and prime slots at CGV.
Old Partner, and Don’t Cross That River, and Secret. Some films, they write, you can already tell from the poster; others you may not know even after watching. Hong Sang-soo’s HaHaHa can feel independent, they say, yet is not classed as an independent film.
They name The World of Us as a recent, well-received independent film, and say they will look at it. The plot of Seon, Jia, and Yoon, and a later complaint about Chinese capital, sit only in a shop recap and are not used. The notes stop at that announcement.
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