
The notes stay with a popular Korean film of catharsis, then name a later work by Kim Sung-soo before the recap begins.
The notes stay with Inside Men, a Korean film in which viewers found a vicarious satisfaction and a catharsis. The plot, as they tell it, is simple enough to hold: a prosecutor and a gangster, “with no backing, no money, and nothing to offer,” smash a corrupt power where politics, the economy, and the press are joined.
Critics, the writer says, were split, or not especially deep. Still the film broke an adult-film box-office record. The notes do not, in this stretch, name the director or the leads.
The same notes then name a recent film, Asura. Kim Sung-soo, after Beat, There Is No Sun, and Musa, and after taking the megaphone again on The Flu, works once more with Jung Woo-sung.
The title, they write, names the world between the realm of beasts and the realm of humans, a world of fighting.
They leave the later shop remarks on why Inside Men sold so many tickets unread on this page.
The stretch ends with the title Asura and that brief word on its director. The same Korean report, at fuller length, is on CampusDown.
Last updated: 15 November 2026
A prosecutor and a gangster, “with no backing, no money, and nothing to offer,” smash a corrupt power in which politics, the economy, and the press are joined. Viewers, the writer says, found a vicarious satisfaction and a catharsis. Critics were split, or not especially deep, yet the film broke an adult-film box-office record.
They turn to a recent work, Asura. The director is Kim Sung-soo, after Beat, There Is No Sun, and Musa, and after taking the megaphone again on The Flu. He works once more with Jung Woo-sung. The title Asura, they write, is the world between the realm of beasts and the realm of humans, a world of fighting. The notes stop before a later shop block on why Inside Men sold tickets.
They do not, in the stretch the notes keep. Those names are not filled in from elsewhere.
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